As I discover new works, I try to get as much information as possible to write a blog post about it. Unfortunately, sometimes, I cannot get all information. I could leave those works alone and fade away in the endless ocean of data, or I can create a database of works. At least, you will be able to listen to the works yourself and maybe you can get some inspiration.
1945-1998 (released in 2003) is a work by Isao Hashimoto that sonifies and visualises the 2053 nuclear explosions between the first nuclear test in New Mexico until the test by Pakistan in May 1998 (the three tests announced by the DPRK since 2006 are not included in the work). Continue reading “1945-1998, Overkilled, and The Names of Experiments by Isao Hashimoto”
AERO, by Gregory Reeves, is a MacOS application, made with MaxMSP, that uses flight departure and arrival data from four airports in the USA. AERO takes these otherwise dry (and sometimes stress-inducing) data and turns it into delicate generative music. Continue reading “AERO – Flight Time Music Generator”
Quotidian record is another sonification work by Brian House, whose work You’ll have to take my word for it, I wrote about earlier in this blog. In this highly individualistic work, Brian tracked all his travels for a year and used those data to create a composition. He suggests that “our habitual patterns have inherent musical qualities and that daily rhythms might form an emergent portrait of an individual”. In other words: life is music. Continue reading “Quotidian record: sonifying everyday life”
The Listening Machine was a sonification that used tweets from a group of 500 participants in the UK. The creators wanted to highlight the interesting dynamics that arise from social interactions and translate those dynamics into music, so to create “a soundtrack of our everyday social lives”. It was also inspired by the Mass Observation Movement (1937), an early British experiment in social research in which 500 volunteers were asked to keep diaries of their everyday lives. Continue reading “The Listening Machine”
Earth’s Magnetic Field: Realizations in Computed Electronic Sound, is a seminal piece of sonification art and electronic music in general. In 1970, composer Charles Dodge, together with three physicists Bruce R. Boller, Carl Frederick and Stephen G. Ungar, sonified the variations in the earth’s magnetic field which in influenced by solar winds.